Colour, Designer, Wishlist, Women

Colour Love

Let’s just all stop for a second and take in this most beautiful of colour palettes from one my favourite brands, Jac + Jack. Oh, the dusty pink and wine coloured beauty! Contented sighs all round.

Apart from being an Australian owned brand, ethically made in luxurious yarn and generally just friggen awesome, Jac + Jack have smashed one out of the park with their colours this season. This is just one of the many stunning colour palettes they’ve created for Spring ’17, so if you haven’t seen the others, you should. Like now.

Images via

Designer, Wishlist

Best dressed crew

During his Haute Couture fashion show in Paris last week, renowned fashion designer Laurence Xu revealed his breathtakingly beautiful new uniforms for the crew of Hainan Airlines.

Those capes! The flirty hemlines! The stylish outfits give a nod to the traditional Chinese cheongsam, and in my eyes completely reimagine the cabin crew uniform: practical and serviceable but with flair and drama. And jaunty hats!

Love love love.

All images Hainan Airlines.


Accessories, Designer, Photoshoot, Stylist Tales


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I absolutely love Opals…when I was a kid I always thought Opals were alive, how else could they shimmer with colour like that? Fast forward to now and I still feel the same way. They are magical.

I had the pleasure of working with the beautiful Tatiana Ikasovic of Fade To Black Studio taking photos of her stunning Opal jewellery range on a spectacularly sunny day. With stones ethically sourced from Lightning Ridge and other parts of Australia, the current range from FTB Studio is delicate yet impactful, and features fine gold and silver jewellery where no two stones are alike.


Photography and direction: Catalina Alfaro
Model: Tatiana Ikasovic
Brand: Fade To Black Studio

Location: Arthur McElhone Reserve, Elizabeth Bay NSW.

Designer, Movies

Movie Moments: The Designer Connection Part IV

Belle de Jour (1967), Director Luis Buñuel, Designer Yves Saint Laurent.


As in the last Movie Moments post, ‘Funny Face’, this week’s designer collaboration is the product born of a friendship between a young designer and his muse. In this instance, it is Yves Saint Laurent who dresses a very young and beautiful Catherine Deneuve. She plays a wealthy young housewife who is not able to be intimate with her loving husband, but decides to live out her fantasies by becoming a prostitute (it is, after all, a Buñuel film). This she does only by day, hence the name of the film, ‘Belle de Jour’.




Deneuve’s Severine is by turns aloof and sensual as the film explores the boundaries of morality. Her journey is enhanced by Saint Laurent’s impeccable costumes, classic and timeless, with a twist of fetish.




Her bourgeois lifestyle is evident in the precise tailoring of her clothing, something even her colleagues notice, and covet. Her flawless style, from her hair down to her Roger Vivier Pilgrim pumps, speaks volumes about her character. Accordingly, her hair and clothing change as Severigne becomes Belle. Wool gives way to vinyl, rigorous up do’s give way to soft waves. Saint Laurent takes the transformation in his stride, giving us a collection of trendsetting costumes which have become iconic of 60’s style. The safari dress and the schoolgirl inspired outfit for example, continue to influence fashion designers today. I mean, who would say no to any of Severigne’s amazing coats? Eternally chic, and a testament to Yves Saint Laurent’s genius, Severine will continue to be reinvented in glossy mags, providing inspiration for day, or night.



Designer, Movies

Movie Moments: The Designer Connection Part III

Funny Face (1957), Director Stanley Donen, Designer Hubert de Givenchy.


Before there was ‘The Devil Wears Prada’, there was ‘Funny Face’. Yes, yes, yet another Audrey Hepburn film… However, this movie makes this list not so much for Audrey as for fashion designer Hubert de Givenchy. As film lore tells it, Givenchy first met Hepburn for her movie ‘Sabrina’. The film producers had asked Balenciaga for costumes, but being busy with a new collection, he sent them to see his young friend Givenchy. On hearing the name Hepburn, the designer expected to see a certain Katherine who was very famous at the time. Instead, in comes a young Audrey, dressed in ‘small pants and ballet flats’. His gowns fit like a dream, they clicked and became life long friends. He dressed her in life and for every film since, including in this fashion bonanza known as ‘Funny Face’.

In a nutshell, this is a light musical in which a dowdy intellectual is turned into a graceful cover girl by a fashion magazine editor looking for something different. This means several things: there is singing, there is dancing (look out for the utterly awesome ‘Think Pink’ number). There is humour. There is a makeover- there is FASHION. Serious fashion. There is a sequence with an actual high fashion shoot in Paris. Really. And not just any fashion shoot, but one dreamt up by the film’s visual consultant Richard Avedon, and starring Hepburn in a myriad Givenchy gowns. Triple whammy! This fashion shoot spawned some of the most often copied images, even today (woman in a ladylike dress with colourful balloons, anyone?).





In amongst the glamour, Hepburn has time for a dance at a beatnik club dressed in the slim black silhouette (with dreamy loafers!) she made into a worldwide trend. While this look is iconic, it is the Givenchy gowns which shine in this film. There are some real heart wrenchingly stylish moments, culminating in a wonderfully fresh wedding gown (come to think of it, hopeful brides should bookmark this whole film). Watch this film for some mammoth fashion inspo, but be warned- you may be moved to set up an impromptu fashion shoot/show with lengths of fabric and bits from your wardrobe during viewing. Heck, even the couch throw might do.




Designer, Movies

Movie Moments: The Designer Connection Part II



This week’s movie is not exactly a collaboration, but the result of a fashion designer’s foray into film direction. Tom Ford’s directorial debut, A Single Man, was a self funded labour of love, and is a thing of stunning beauty. It tells the story of an English professor, George Falconer (Colin Firth in an Oscar nominated performance), living in 1960’s Los Angeles, and struggling with the loss of his lover some months prior. The film follows him over the course of a day, the day on which he has decided he will end his life.




Falconer is by nature a fastidious man, rendered clear in his preparations. As he dresses for the day, Ford’s own obsession for detail is evident- he had the professor’s Savile Row suit ‘aged’ to suggest a man who, albeit not affluent, cares about quality. The dresser, his clothes, his desk are laid out just so, the colour palette restricted. The achingly stylish scenes have been likened to fashion ads. I see more than fashionable exactitude- the beautiful scenes become highly emotive if seen through the professor’s eyes, that is, for one final time. Falconer goes through his day believing it will be his last, but his very resolution allows him to finally connect to his surroundings and the people he encounters in a way he has not been able to do since his great loss. It is a journey of desire and despair, isolation and deep longing, of great love. Can you tell how much I LIKE this film??




Tom Ford’s aesthetic is present throughout, in the flawless elegance of every shot and in the polished restraint of the acting (the performances by a ridiculously good looking cast are impeccable).





It is present in the beautiful sets- they searched for months for the right house until coming across the Schaffer House by architect John Lautner, a mid century dream.


And finally, as expected, Ford’s stylistic influence is most definitely present in the costumes. It might have been the amazing team behind TV series Mad Men that carried the costume and design departments, but Ford’s calculated hand is ever present, in every detail, down to the last pink cigarette.



Designer, Movies

Movie Moments: The Designer Connection Part I

If you’re a bit of a fashion nerd like me, you might know that Fashion Weeks around the globe have recently wrapped up. Pouring through the collections while cursing my shallow pockets and wondering if Karl Lagerfeld is indeed human, I got to thinking… How many of these great creatives have lent their considerable talents to the big screen? Pedantic control freak that I am, I compiled my top list, and decided to share it over the next few weeks.

The Fifth Element (1997), Director Luc Besson, Designer Jean-Paul Gaultierkorben_leeloo_01

Other than being perfect fodder for sexy Halloween costumes for those brave enough, The Fifth Element, to me, epitomises nineties fashion. The wanton use of latex and rubber, the not so subtly coloured hair, pearlescent synthetic duds, giant faux fur… if you attended a rave in the nineties, you would have witnessed any or all of these first hand by the dozen. Gaultier took these elements and pumped them up to sci-fi standards to create some of the most iconic costumes in film.sketches_01

Packed with Gaultier’s bondage and debauched Edwardian references, The Fifth Element has become the designer’s most recognisable foray into costume design for film. As he had done previously in The Cook, The Thief, His Wife and Her Lover (1989) and The City Of Lost Children (1995), he designed original costumes for the protagonists, and put the extras in previous collections. Gaultier injected his love of fetish into Milla Jovovich’s Leeloo most, from the thermobandages, to the orange rubber suspender/g-string hybrid she so gleefully accepts (‘ooohhh, tank oo’). Bruce Willis’ character, Korben Dallas, has a more utilitarian costume. However, it doesn’t escape Gaultier’s touch- even Willis had to don some brightly coloured rubber. He must have felt rather relieved to wear a plain tuxedo in the second half of the film! And what a plain tuxedo it is- together with the Japanese girls’ uniforms, they almost look out of place in their conventionality.leeloo_01


One character that doesn’t disappoint is Gary Oldman’s evil Zorg: in his latex pinstripes and opalescent shirts, he takes business chic to another level, regardless of his choice of headgear. The most outlandish outfits however, are reserved for Chris Rock’s Ruby Rhod. Even in the fantasy future of Besson’s mind, celebrities have their very own fashion planet.



Military uniforms are suitably stark, as are the priests’ garbs (my personal favourite- I wanted Vito Cornelius’ woolen coat and his assistant’s rubbery hat). On the other hand, the flight attendants’ skin tight corseted confections, with their carefully placed cutouts, are still resonating today in the bandage dresses hanging in every starlet’s wardrobe. These sexy uniforms and Gaultier’s ever present sailors are still inspiring, 16 years down the track.